Locations PAs accompany the location manager and assist in any needed tasks.Truck PAs drive trucks carrying equipment from place to place.Post-production PAs work in an administrative office, focusing on film quality, arranging schedules, organizing workload and getting coffee.Set PAs usually work 12- to 16-hour days with the possibility at the end of a shoot to work more than 20 hours a single day. Duties include calling out "rolls" and "cuts", locking up (making sure nothing interferes with a take), wrangling actors and background, facilitating communication between departments, distributing paperwork and radios, and related tasks as mandated by the ADs. They report to the assistant director (AD) department and key set PA if one is so designated. Set PAs work on the physical set of the production, whether on location or on a sound stage.Office PAs usually spend most hours in the respective show's production office handling such tasks as phones, deliveries, script copies, lunch pick-ups, and related tasks in coordination with the production manager and production coordinator.Variations exist depending on a show's structure or region of the world. In unionized television and feature film, production assistants are usually divided into different categories. Production assistants on films are sometimes attached to individual actors or filmmakers. The job of a PA can vary greatly depending on the budget and specific requirements of a production as well as whether the production is unionized. ( April 2014) ( Learn how and when to remove this template message)Ī production assistant, also known as a PA, is a member of the film crew and is a job title used in filmmaking and television for a person responsible for various aspects of a production. You may improve this article, discuss the issue on the talk page, or create a new article, as appropriate. The examples and perspective in this article deal primarily with North America and do not represent a worldwide view of the subject.
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